Franz Marc
1880-1916 German
Franz Marc Locations
Franz Marc was born in 1880, in the German town of Munich. His father, Wilhelm, was a professional landscape painter, and his mother Sophie was a strict Calvinist. He began study at the Academy of Fine Arts, Munich in 1900. In 1903 and 1907 he spent time in Paris and discovered a strong affinity for the work of Vincent van Gogh. Marc developed an important friendship with the artist August Macke in 1910. In 1911 he formed the Der Blaue Reiter artist circle with Macke, Wassily Kandinsky, and other artists who decided to split off from the Neue K??nstlervereinigung movement.
He showed several of his works in the first Der Blaue Reiter exhibition at the Thannhauser Galleries in Munich between December 1911 and January 1912. The exhibition was the apex of the German expressionist movement and also showed in Berlin, Köln, Hagen, and Frankfurt. In 1912, Marc also met Robert Delaunay, whose use of color and futurist method was a major influence on Marc's work. Marc became influenced by futurism and cubism, and his art became stark and abstract in nature.
His name was on a list of notable artists to be withdrawn from combat in World War I. Before the orders were carried out, he was struck in the head and killed instantly by a shell splinter during the Battle of Verdun (1916).
Related Paintings of Franz Marc :. | Blue horse ii | Deer in the Woods II, 1912 | Blue Horse i (mk34) | Bewitched Mill | Playing Dogs (mk34) | Related Artists: Maurin, CharlesFrench, 1856-1914
was a French painter who practised a variety of styles. A notable symbolist work of his being Maternity, a study of motherhood. He was a friend of the painter Felix Vallotton. Elliott Charles Loringborn in Scipio, New York, in December 1812; died in Albany, NY., 25 Sept., 1868.
died in Albany, NY., 25 Sept., 1868., American painter. Resolved to become an artist, he moved from Syracuse, NY, to New York City around 1830, bearing a letter of introduction to John Trumbull and reportedly receiving some brief instruction from him. Elliott spent six months in the studio of the genre painter John Quidor but returned to upstate New York, where he worked for several years as an itinerant portrait painter. Back in New York City by 1839, his art steadily improved; Henry Inman met him around 1844-5, whereupon he predicted: 'When I am gone that young man will take my place'. Elliott's portrait of Capt. John Ericsson (c. 1845; untraced) won praise in 1845 as 'the best American portrait since [Gilbert] Stuart', and from that date he was acknowledged as New York's leading portrait painter. His facility for capturing a vivid, characteristic likeness and his genial personality assured a constant stream of private patrons and public commissions. In 1867 it was reported that he had executed nearly 700 portraits. James GillrayEnglish Illustrator, 1757-1815
English caricaturist and illustrator. He was essentially self-trained although he studied at the Royal Academy and on the Continent. His caricatures of the court of George III made him immensely popular. His masterly delineations, vigorous, clever, often subtle, sometimes vulgar and grotesque, numbered more than 12,000. Among his best-known cartoons are A New Way to Pay the National Debt (1796), Social Elements in Skating (1805),
|
|
|